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Par MMaxi le 4 July 2006 à 11:51
La chambre de Van Gogh à Arles (Van Gogh's Room at Arles)
1889 (200 Kb); Oil on canvas, 57 x 74 cm (22 1/2 x 29 1/3 in); Musee d'Orsay, Paris
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Par MMaxi le 28 June 2006 à 19:45
THE GIRL WITH A PEARL EARRING (Meisje met de parel)
c.1665-1667 oil on canvas
18 1/4 x 15 3/4 in. (46.5 x 40 cm.)Mauritshuis, The Hague
"It is always the beauty of this portrait head, its purity, freshness, radiance, sensuality that is singled out for comment. Vermeer himself, as Gowing notes, provides the metaphor: she is like a pearl. Yet there is a sense in which this response, no matter how inevitable, begs the question of the. painting, and evades the claims it makes on the viewer. For to look at it is to be implicated in a relationship so urgent that to take an instinctive step backward into aesthetic appreciation would seem in this case a defensive , an act of betrayal and bad faith. It is me at whom she gazes, with real, unguarded human emotions, and with an erotic intensity that demands something just as real and human in return. The relationship may be only with an image, yet it involves all that art is supposed to keep at bay."
"Edward A. Snow, A Study of Vermeer, 1979"
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Par MMaxi le 25 June 2006 à 11:47
By name WRIGHT OF DERBY (b. Sept. 3, 1734, Derby, Derbyshire, Eng.--d. Aug. 29, 1797, Derby), English painter who was a pioneer in the artistic treatment of industrial subjects. He was also the best European painter of artificial light of his day.
Wright was trained as a portrait painter by Thomas Hudson in the 1750s. Wright's home was Derby, one of the great centres of the birth of the Industrial Revolution, and his depictions of scenes lit by moonlight or candlelight combine the realism of the new machinery with the romanticism involved in its application to industry and science. His pictures of technological subjects, partly inspired by the Dutch followers of Caravaggio, date from 1763 to 1773; the most famous are The Air Pump (1768) and The Orrery (c. 1763-65). Wright was also noted for his portraits of English Midlands industrialists and intellectuals.
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Par MMaxi le 18 June 2006 à 11:54
Abstract art Any form of artistic expression which bears no apparent relationship to tangible reality is commonly referred to as 'abstract'. Other terms
employed include 'non-figurative' or 'non-representational'. The word 'abstract' stems from the Latin verb 'abstrahere': to withdraw or withhold. In other
words, abstract art is 'withdrawn' from nature. Its lines, shapes and colours serve an autonomous purpose and do not refer to any object not in the actual
painting. A number of European artists, working independently, began creating abstract art around 1910. Among them were Kandinsky (Germany), Kupka
and Delaunay (France), Malevich (Russia) and - soon thereafter - the Dutch artists Mondriaan, Van Doesburg and Van der Lek.
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